LIKE her name, Siglinda Scarpa seems to be from another world. And not just Italy, where she was born. But one in which you can hear the animals speak, and everyone gets along.
Ms. Scarpa, 72, lives in a wooden house painted robin’s
egg blue, in the middle of an open woodland, with old oaks and pines rising
over sandy soil. With its second-story porches covered with the canes of Lady
Banks’ roses, Carolina jasmine and wisteria, the house could be something out
of a children’s book.
Some people come here to adopt a cat from the Goathouse
Refuge, the animal sanctuary she runs, tucked back in the woods. Others come to
buy her pottery or ceramic art, which is displayed in the sunny showroom on the
first floor of this whimsical house: abstract pieces that evoke storms brewing
in the sky; clay roasting pots shaped like squashes, with frogs or artichokes
on their lids; or teacups molded like the face of a cat, the lines of cheek and
jaw, nose and mouth drawn by a knowing hand.
For there are real cats everywhere.
A white one sits as still as a snowy owl on a post
overlooking the woodland. Others walk among dogs napping in the sun. More perch
on the railing of a porch, staring at the birds zooming in and out of feeders
beyond their reach.
Once in a while the cry of a guinea hen or a turkey
rends the air. Pecking for bugs around a garden full of greens, they, too, are
unafraid of the sleeping dogs — although those dogs came immediately to
attention when I opened the creaking gate, joyfully barking and wagging their
tails.
“Umbra!” a voice shouted from above. “Musa! Solé!”
Ms. Scarpa, a tiny woman who is barely five feet and as
slim as a reed, with gray hair knotted over a moon-shaped face, appeared at the
top of the porch stairs.
Umbra, which means shadow in Italian, is her soulful
gray Labrador-Weimaraner mix with blue eyes. Musa, her muse, looks like a
little coyote. Solé, her sunny boy, is a huge White Great Pyrenees with
jet-black eyes.
The dogs looked up, as if to say, “We were just having
some fun.”
Upstairs, in the sunny kitchen, were more cats —
sitting on tables and chairs, napping under the wood stove or beside a snoozing
dog on the couch, and nestled in the big wooden bowl Ms. Scarpa carved from an
oak downed by a storm.
If you are picturing a crazy lady living among
mountains of newspapers, with a pack of yowling cats stinking up the place,
forget it.
Even on a winter day, there is a pine-scented breeze.
The potbellied wood stove keeps everything so cozy that the windows and doors
are open, so the cats (42 at last count) and dogs (seven) can come and go as
they please.
Roger Manley, the curator of the Gregg
Museum at North Carolina State
University, where Ms.
Scarpa’s ceramic art will be exhibited next fall, calls her “the Mother Teresa
of animals” and compares her to Albert Schweitzer, “taking care of everybody,
out in the woods.”
And her home, he said, is “so calm and serene — like a
spa for cats.”
It is a paradise for birds, too, which fly in and out
of the feeders hanging overhead from cables strung between the trees. Each one
has a screen to keep birdseed from falling to the ground, where the birds would
try to eat it — and be eaten by the cats instead.
“I didn’t want the cats to kill the birds, and if I
just hung the feeders from the trees, they could climb the tree and catch
them,” Ms. Scarpa said. She showed how she lowers and raises the feeders, using
cords tied to pulleys above and a fence post or tree below.
A fat cardinal stood on one of the screens beneath a
feeder 20 feet up, eating seed. Black-capped chickadees zoomed in and out of
another.
IT was a tiny kitten, nearly drowned in a storm, that
changed the course of Ms. Scarpa’s life when she was 7.
“I think I was a little autistic, but they didn’t have
a name for it then,” she said.
Maybe it was the sound of the bombers over her family’s house in northwest Italy
during World War II, or hiding from the Gestapo, which was chasing her father,
Sergio. (Mr. Scarpa helped draft the constitution of the Italian Republic,
was a member of the Italian Parliament and was honored with an order of merit
by the president of the republic before he died in 2007.) “I always felt that people were not seeing me,” she said. “That they were talking, but never to me.”
Then one night, after she was in bed, her father
brought her a tiny gray tabby.
“He lifted up the blanket and put this little frozen
thing on my chest,” she said. “I held that kitty with such love. He changed my
loneliness. I could understand everything he wanted and he could understand
me.”
That was when she really started talking. “I had to
explain to my mother what the cat was saying,” she said.
Never one for school, she apprenticed herself to a
ceramics artist at 16. By the 1970s, she was teaching at her own studio in Rome. Eventually, she
moved to New York, where she taught at
Greenwich House Pottery in Manhattan and the Garrison Art
Center in Putnam County.
“But I was sick and tired of life in the city,” she
said. “And it was too cold in Garrison.”
On a visit to Central North
Carolina in 1995, she fell in love with the balmy climate and the
people.
“It feels more like Italy here, the weather and the
vegetation,” she said. Less than a year later, she found these 16 acres in the
woods, with a goat and a shed and a nondescript house she turned into an aerie.
(She still owns property in Italy,
which she rents out, though she hasn’t been back since moving here.)
The Goathouse Refuge takes its name from a goat that
came with the property and two others who live in a pasture here now. But it is
actually a no-kill shelter for cats that roam cage-free on an acre and a half
of fenced woodland.
The refuge’s low-slung building used to be Ms. Scarpa’s ceramics studio, before
word got out that she loved animals. Litters of kittens started showing up at
her door. A rescue group sent six cats from New Orleans
after Hurricane Katrina; another
group, in New York,
asked her to take 19 cats when their owner died.
So Ms. Scarpa enclosed the woods around her studio,
started a nonprofit group and began fund-raising to support the growing cat
population. Now she has a staff of five and about 15 regular volunteers,
including vet technicians and a handful of veterinarians who work for reduced
fees, tending more than 250 cats awaiting adoption.
But veterinary bills, even cut-rate, are high for
animals that need surgery for tumors, gum disease and other illnesses.
Dr. Bonnie Ammerman, a veterinarian who often makes
house calls here, said: “She goes above and beyond what a lot of people would
do for her personal pets. Many of these cats are feral, so they are not
adoptable, but Siglinda does everything she can to socialize them.”
Dr. Ammerman, who owns a number of Ms. Scarpa’s pots
and artworks, was astounded by the harmony Ms. Scarpa has created between so
many species — even a bunny hopping about the yard. “They all pretty much run
around together happily,” she said. “Siglinda provides a feeling of safekeeping.”
Many are from county shelters that still use gas
chambers filled with carbon monoxide to kill unwanted dogs and cats. The
practice has been banned in more than a dozen states. But though the American
Veterinary Medical Association and other groups recommend barbiturates as a
more humane form of euthanasia, gassing is still
widespread.
She takes as many animals as she can from such
shelters, but there is a limit. And she worries about who will take her place
when she can no longer care for them. But who else would have such an uncanny
way with the animals?
Ms. Scarpa knows every cat’s name and story, be it a
new arrival or one of the lucky ones napping on her couch.
Rosa has asthma and
takes medication. Walter is recovering from mouth surgery. Tigger, who is deaf,
has trust issues.
“The guy who had him fell in love with a lady who didn’t
want the cat, so he threw him away,” Ms. Scarpa said.
Alex, just rescued from a kill shelter, hides beneath a
blanket, with sad eyes.
“Some of them grieve for the families that abandon
them,” Ms. Scarpa said. “I have to force-feed them, or they would die.”
Gibson was found cuddled next to the musician who loved
him, who had died in his trailer.
“Gibson always comes up to the back porch when music is
on the radio,” Ms. Scarpa said.
Dr. James Floyd, a veterinarian and former head of the
department of farm animal health and resource management at North Carolina State,
met Ms. Scarpa years ago, when she called his office about a sick goat.
He also helped her with a chicken that had a tumor and
a leg that had to be amputated. “I’d never amputated the leg of a chicken,” he
said. (They aren’t usually deemed worth the effort.) “Coccolona was its name,
and that darned chicken lived another 18 months in Siglinda’s studio,” he said.
“Siglinda bonded with that chicken, and I can’t swear that I don’t think that
it knew who she was and responded to her.”
Ms. Scarpa said she plans to be buried under the oak
tree where the animals are buried.
“This is my home,” she said. “These are my babies.”